Esl a World of Friends Making Unusual Art Special Possessions

(50–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Dominicus/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've e'er taken an fine art history course or spent time in a fine arts museum, chances are y'all know a lot well-nigh the men who "divers" their mediums. As with other subjects, virtually of what we acquire about fine art history today still centers on white men from Europe and, later, the United States. In reality, in that location are so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a expect at only some of the women who take had lasting impacts on their art forms. From some of the art world's nearly iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still accept a hand — in changing the world of fine art and how nosotros define it.

Laura Wheeler Waring

Laura Wheeler Waring'southward portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than xxx years. Afterward studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming all-time known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman's Untitled Film Stills (1977–fourscore). serial. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Pic Stills (1977–lxxx) — self-portraits in which Sherman "posed in the guises of various generic female picture characters, among them, ingénue, working girl, vamp, and lone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A however from the performance Cut Piece, 1964, and a movie of the installation Half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York Urban center in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first think of Yoko Ono equally a musician and activist, merely she'southward also an achieved operation and conceptual artist. Ono was considered a pioneer in the performance fine art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cutting Piece, was a operation she first staged in Nippon; Ono sat on phase in a nice adjust and placed scissors in forepart of her, and, in an deed of daring vulnerability, invited audience members to come on stage and cutting away pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't practise it, I start to choke."

Betye Saar

Betye Saar'southward Black Girl's Window, 1969 (total and particular). Photos Courtesy: Museum of Mod Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the play a joke on is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of art, then you might be able to requite them some sort of message."

Frida Kahlo

People look at Frida Kahlo'southward 1939 painting Las Dos Fridas at the Globe Forum of Civilisation in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'due south rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes similar death and identity through her self-portraits. Kahlo frequently used bold, bright colors to create her symbol-rich works, and was regarded every bit ane of the nearly influential artists of the Surrealist motion.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she's also known for her hyper-existent sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Quondam First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald'due south work — and her signature grayscale skin tones — as she was the first Blackness woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Red With Yellow in Albuquerque, New United mexican states. Photograph Courtesy: Tony Vaccaro/Getty Images

Known as the female parent of American modernism, you probable associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, but perchance, the skyscrapers of New York Metropolis. In the 1920s, she was the outset woman painter to gain the respect of the New York art world, all by painting in her unique fashion.

Adrian Piper

Adrian Piper wins the Gilt Lion for best artist in Okwui Enwezor's biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Urban center. She used her piece of work to question society, identity, and racial politics by demanding the audience to confront truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Blackness human with a fake mustache and sunglasses, or while wearing compelling statements on her apparel.

Shirin Neshat

Shirin Neshat's poses in forepart of a photo in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York Urban center in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study fine art in Los Angeles, California — earlier the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works oftentimes create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advert billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act every bit meditations on various concepts, such as trauma, knowledge, and hope. 1 of her more notable works, I Odour You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore'due south fine art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise sensation around the prejudice, violence, and attempted erasure of Indigenous Due north American culture. In 2005, she was the first Indigenous woman to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is amend known for her installation fine art and sculptures — like the spider above — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the chief styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Dear, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular civilization and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago'south seminal piece of work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was ane of the major figures within the early on Feminist Art movement. As exemplified in her iconic piece of work The Dinner Party, her installation pieces often examine the role of women in history and civilisation — in the 1970s and earlier. While at California State University in Fresno, Chicago founded the first feminist art plan in the United States.

Augusta Savage

Augusta Vicious with one of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Fell was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, oft of Black folks, Savage founded the Vicious Studio of Arts and Crafts in Harlem in 1932, and, a few years later on, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Just look up her most famous work, Interior Scroll, and you'll see what nosotros hateful.) She used her torso to examine women'southward sensuality and liberation from the oppressive artful and social conventions established by our patriarchal lodge.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'south piece of work challenges traditional power relations. In add-on to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'due south Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this wait like an Andy Warhol to you? Well, that'south the thought! Elaine Sturtevant, who went past her last name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite aroused. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based creative person, Asawa's last public commission was the Garden of Remembrance at San Francisco Land Academy, which was created to recognize Japanese Americans who were interned during World War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a lensman since the historic period of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a style that conveys ability and respect past evoking traditional Renaissance portraiture.

micha cárdenas

All the same from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and banana professor who won an Impact Laurels at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstruse Expressionist painter who besides specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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